TIME - Top Stories
a day
John Mayer , emotional troubadour extraordinaire, has a new album coming out next month and as expected, he has a lot of feelings about it particularly a breakup song that alludes to his ex, pop princess Katy Perry . In a sprawling interview with the New York Times , Mayer shared that the album's first single, a wistful but catchy ballad by the name of Still Feel Like Your Man is about missing Perry after their very public breakup in 2014 . Who else would I be thinking about? he said. And by the way, its a testament to the fact that I have not dated a lot of people in the last five, six years. That was my only relationship. So its like, give me this, people. In addition to apparently not dating much, Mayer also revealed in the interview that he recently quit drinking and is very thoughtfully entering cannabis lifestyle.
Daily Mail - USA
a day
Adweek
3 days
Beijing Bulletin
19 days
At the Troubadour, it was as if that Nashville flirtation never happened as Crow premiered eight songs that fit in seamlessly with her 90s rock-radio standards. ...
Forbes
2 months
The Points Guy
2 months
There is a huge resurgence in development, especially within existing structures that have been vacant since Katrina or before, said Wayne Hendricks, general manager of The Troubadour, a Joie de Vivre Hotels property that just opened this month, making it the company's first in the South. The 184-room hotel occupies a former office building and historic landmark in the Central Business District, the tourist zone buffering the French Quarter and the Lower Garden District, and checks all the boutique boxes: lighting installations from a local artist, uniforms by a local designer and a rooftop bar pouring frozen drinks, a nod to New Orleans' daiquiri drive-thru institutions. According to Hendricks, the hotel's location in the conveniently-located-but-bland CBD represents part of the resurgence of an area in the city where development has lagged for many years.
WhoWhatWhy
2 months
Like Shiva, creator and destroyer of worlds. 1 What could go wrong? When the Trumpees, echoing Dubya’s taunt to Iraqi insurgents who became Al-Qaeda in Iraq, then morphed into ISIS during Obama’s promised withdrawal, boldly dare the world to “Bring It On”, they’re looking in the rearview mirror at Iran-Contra. But the past, the chronicler of our national sins told us, “is never dead. It’s not even past.” 2 Marx went him one better: “History does indeed repeat itself, the first time as tragedy, the second as farce.” 3 But this? What strange beast is this slouching toward Washington? Better take a look over your shoulder. The most subversive thing in America, a troubadour sang, is a long memory. 4 Resurrecting Ghosts Who can watch an aging Oliver North retelling other people’s war stories on Fox, rhapsodizing about some heroic exploit in the age of knightly chivalry, or singing Homeric praise of some newfangledarms and the man”, and not feel a faint nostalgia for the Reagan years? Those were the days.
The Huffington Post
2 months
For example, in medieval Spain, the Troubadour poets borrowed their lyrical beauty from Arabic . Arabic was the courtly language of southern Spain until the 15th century. Similarly, the 12th-century Palatine Chapel in Sicily was painted and gilded in the imperial style of the Fatimids , the rulers of Egypt between the 10th and 12th centuries. Such exchanges were common, thanks to the mobility of people as well as ideas. The point is that the story of Islam cannot be told without a deeper understanding of its cultural history: Even for early Muslim rulers , it was the Byzantine empire, the Roman empire and the Sassanian empire (the pre-Islamic Persian empire) that provided models. Such overlaps continued over the centuries, resulting in heterodox and cosmopolitan societies. The term "Middle East" - coined in the 19th century - fails to describe the complex social and cultural mosaic or religions that have existed in the region most closely associated with Islam - and continue to do so today.
Informed Comment
2 months
For example, in medieval Spain, the Troubadour poets borrowed their lyrical beauty from Arabic . Arabic was the courtly language of southern Spain until the 15th century. Similarly, the 12th-century Palatine Chapel in Sicily was painted and gilded in the imperial style of the Fatimids , the rulers of Egypt between the 10th and 12th centuries. Such exchanges were common, thanks to the mobility of people as well as ideas. The point is that the story of Islam cannot be told without a deeper understanding of its cultural history: Even for early Muslim rulers , it was the Byzantine empire, the Roman empire and the Sassanian empire (the pre-Islamic Persian empire) that provided models. Such overlaps continued over the centuries, resulting in heterodox and cosmopolitan societies. The termMiddle East” – coined in the 19th centuryfails to describe the complex social and cultural mosaic or religions that have existed in the region most closely associated with Islam – and continue to do so today.
Informed Comment
2 months
For example, in medieval Spain, the Troubadour poets borrowed their lyrical beauty from Arabic . Arabic was the courtly language of southern Spain until the 15th century. Similarly, the 12th-century Palatine Chapel in Sicily was painted and gilded in the imperial style of the Fatimids , the rulers of Egypt between the 10th and 12th centuries. Such exchanges were common, thanks to the mobility of people as well as ideas. The point is that the story of Islam cannot be told without a deeper understanding of its cultural history: Even for early Muslim rulers , it was the Byzantine empire, the Roman empire and the Sassanian empire (the pre-Islamic Persian empire) that provided models. Such overlaps continued over the centuries, resulting in heterodox and cosmopolitan societies. The termMiddle East” – coined in the 19th centuryfails to describe the complex social and cultural mosaic or religions that have existed in the region most closely associated with Islam – and continue to do so today.
Politico
3 months
That brand was created by Robert and Ted Kennedy in the haunted aftermath of their brother’s assassination, drawing on the same public yearning for meaning and connection that Jackie Kennedy tapped into when she compared her husband’s presidency to Camelot. Only one of those myth-making stories is told in “Jackie.” But the Kennedy political message proved every bit as durable as the Camelot comparison. It was also, in a large part, an invention. Historians remember John F. Kennedy for his ability to inspire the nation; his shrewd leadership during the Cuban missile crisis; and his relatively conservative handling of a humming economy. He wasnt a dove, and he was no liberal troubadour, either. On core progressive concerns like civil rights he was on the right side of history, but arguably late to the game. Then, after his death, his brothers Ted, who was always more liberal, and Bobby, who was moving sharply to the left, became the inheritors of his political legacy.
The Huffington Post
3 months
The plot, such as it is, is simple: Jaufré, a prince/troubadour, hears from a Pilgrim about a beautiful, virtuous woman in far-off Tripoli, falls in love with her from her description, and begins writing songs in praise of her. The Pilgrim sails to the woman (a countess named Clémence), informs her of the smitten troubadour, and sings some of his songs. The prince, informed by the Pilgrim on his return trip that Clémence has heard his songs and knows that he loves her, decides he must now sing for her in person. On the long journey, however, the prince falls ill, and after a heartbreakingly brief encounter with his beloved, dies. She, somewhat paradoxically, reproaches God for his cruelty and also decides to join a convent. This seems to be a story of love at its most profound and also its most superficial. He falls hopelessly in love with descriptions of her, and she falls in love with the idea of his being love with her.
Sputnik International
3 months
Liverpool Echo
3 months
Times of Israel
4 months
Obama's get-together with recipients will not include Jewish troubadour who will also snubb Stockholm ceremony
The Huffington Post
4 months
" The 1960's gave way to the '70's and I was playing in folk clubs like The Troubadour in London. By my side were folk musicians from all over the world. We were members of an after hours music club that we used to hang out at on the Fulham Rd in London. Bert Jansch, of Pentangle , and Ralph McTell and Robin Williamson and Mike Heron of The Incredible String Band were regulars there and often would jam all night with anyone who had an instrument (and we all did !). The club used to open at midnight, and often by 2 a.m. there were dozens of us playing music we all loved. Down the road from The Troubadour a friend of mine, Mike Pinder of The Moody Blues lived. I used to hang out at his flat (after playing at The Troubadour,) and play music with friends, some of whom were American who'd come to London to avoid the draft. The Vietnam "police action" was raging and thousands of young Americans had gone to Canada and on to London and Europe.
Mondoweiss
4 months
Mondoweiss
4 months
Mashable
4 months
This recap contains spoilers for the first episode of Gilmore Girls: A Year in the Life , titled "Winter." Welcome back to Stars Hollow, friends; we're all a little bit older if not much wiser since the last time we visited the best fictional town on the planet, but the talk is still fast, the coffee's still hot, and our titular girls are still just as perfectly imperfect as they were before. Times have changed out here in the real world, but it's comforting to know that in Stars Hollow, the song remains the same right down to the faithful town troubadour and Sam Phillips' distinctive "la-la" score, which may be the best form of time travel outside of a DeLorean, since hearing it instantly transported me back to the living room couch where I'd cuddle up with my mother to watch the original iteration of the show. Read more... More about Gilmore Girls Recap , Kelly Bishop , Alexis Bledel , Lauren Graham , and Amy Sherman Palladino
Men's Fitness
4 months
Cotswold Journal - Music
4 months
The Guardian - Music
4 months
Leonard Cohen, who died last week aged 82, was an inspiration to a host of artists over five decades. Here we remember a troubadour of the spirit ‘I was born like this, I had no choice/I was born with the gift of a golden voice”, Leonard Cohen assured us on 1988’s Tower of Song, in laconic acknowledgment of his famously flat, funereal baritone. Later in life, Cohen’s voice would become a fractured croon that required a soothing chorus of three female vocalists to guide it through a song, while his departing gift, You Want It Darker , finds him reciting in an ominous, deathbed rumble. Cohen’s lugubrious tones always divided opinion; for some they were intrinsic to his melancholic charms, to others a turn-off that blindsided them to the genius of his songcraft, which was always gilded, its cadences measured, its images polished. “They’ve filed me under gloom,” he would later complain.
Open Culture
4 months
Yet, almost no songwriter has inspired so much volubility from Bob Dylan, who spoke to Remnick at length about the fine intricacies of Cohen’s “counterpoint lines.” “His gift or genius,” said Dylan, “is in his connection to the music of the spheres.” Cohen’s lyrical sophistication charted his heterodox embrace of Judaism and Zen Buddhism, and his fascination with Christianity. But before he arrived in New York as a “musical novice” at thirty-two and became a mystical folk troubadour, he was a highly-regarded and controversial poet and novelist, a “bohemian with a cushion” from a Montreal Jewish family “both prominent and cultivated.” He even had a documentary about him made in 1965 . Cohen began publishing poetry in college and put out his first collection at 22, then moved to the Greek island of Hydra, where he met Marianne and published several more collections and two novels.
Open Culture
4 months
Yet, almost no songwriter has inspired so much volubility from Bob Dylan, who spoke to Remnick at length about the fine intricacies of Cohen’s “counterpoint lines.” “His gift or genius,” said Dylan, “is in his connection to the music of the spheres.” Cohen’s lyrical sophistication charted his heterodox embrace of Judaism and Zen Buddhism, and his fascination with Christianity. But before he arrived in New York as a “musical novice” at thirty-two and became a mystical folk troubadour, he was a highly-regarded and controversial poet and novelist, a “bohemian with a cushion” from a Montreal Jewish family “both prominent and cultivated.” He even had a documentary about him made in 1965 . Cohen began publishing poetry in college and put out his first collection at 22, then moved to the Greek island of Hydra, where he met Marianne and published several more collections and two novels.